In semi-rural Karnal, Noor Mahal, a palace hotel, brings in a touch of luxury and royal living

Col. Manbeer Choudhary, an ex-army man and the founder-owner of Noor Mahal, leveraged the inherent potential to build the mother-of-all-hotels in this part of the country. “My earlier stint with The Federation of Hotel & Restaurant Associations of India (FHRAI) made me realise that India is booming. The town and cities on the fringes of Jaipur had latched on to this reality a long time ago and hotels such as Neemrana and Fairmont Jaipur are considered as destinations in themselves. Across India, many cities have developed self-sustaining luxury circuits; we had none in these parts. Besides a JW Marriott in Chandigarh, we do not have any luxury hotels right up to Punjab. My idea was to create a monopoly for MICE and luxury weddings in these parts. Besides, I wanted to avoid competition with groups such as ITC, Taj and Oberoi.”

Noor Mahal, then, attracts the corporate crowd from Delhi and Gurugram, besides weddings from the neighbourhood, but also Punjab (Punjabi/Sikh NRIs need something closer home to get married in!) and regions far apart, including West Bengal!

The challenges of running a luxury hotel in Karnal may be several, one would think. For one, politics, especially when you consider that land usage was changed from agricultural to commercial? Col. Choudhary disabuses me of the notion, contending that the then Congress government had encouraged him to build “an asset Haryana had never seen”. The challenges, then, lay in attracting the right talent and marketing the property as a destination hotel. At one point, says Chaudhary, they had almost begun feeling like a training school for hospitality professionals: young hospitality graduates would join them for training and then quit for a bigger brand. Now, of course, with various facilities provided to the staff as well as an insistence on experienced head of departments, the loss of manpower is far slower.

Architecturally, Noor Mahal is more Rajasthan or Rajputana than Punjab or Haryana. Conceptualised by architect Himet Singh of Foundations New Delhi, with interior design executed by Amey Kamat and Tushar Joshi of Ozone Designs, the palace hotel looks like it would fit right in, next to the ornamental palaces of Rajasthan. The hotel’s soul is Rajputana-meets-Mughal, echoing the regal lifestyle of the erstwhile Maharajas and Mughal monarchs. The brief given to Himet Singh, says Chaudhary, was to create a royal outpost in an agrarian landscape, albeit a modern hotel with contemporary amenities. He created one with arches and domes, mirrors and frescoes studded with semi-precious stones, flamboyant chandeliers and airy courtyards, the famous Tikdi work, rambling verandahs, velvet curtains referencing the patterns on regal ensembles, vegetable-coloured hand paintings, and picturesque terraces. The Chaudharys threw in an extravagant wedding pavilion as an add-on for the destination-wedding obsessed Indian junta. Binny Chaudhary, Col. Chaudhary’s wife, who liaised with the designers and the architect, says, “The little detailing, the historical flourishes, are what makes this hotel stand apart.”

Joshi, outlining the design, which he and his partner, Amey, constantly upgrade as per the brief, says, “The features, the fixtures, the design all speak of traditional craftsmanship and India’s artisanal heritage. We got kaarigaars (artisans) from not just but also Sahranpur in UP (famous for woodwork) as well as locally.” Built over multiple levels, much like the palaces of yore were constructed, the hotel sprawls over eight acres, surrounded by fields and well, more fields. It straddles within its well-appointed boundaries, party lawns (Rani Bagh and Raja Bagh, anyone?), Hiran Mahal or golden towers with octagonal chhatris, ballrooms with frescoed walls such as Sheesh Mahal and Rang Mahal, not to forget two inner courtyards called Deewan-e-aam and Deewan-e-khas, just so that you never forget the royalty connect.

Deewan-e-Aam at Noor Mahal.

“There are several flourishes drawn from heritage monuments such as the Taj Mahal. For instance, white agaria marble flooring and intricately crafted semi-precious stone inlay work. Traditional techniques have been used to create palatial innovations — Mughal arches crafted out of concrete, Dholpur stone and red Agra stone, handcrafted detailing, gold-leaf frescos, high-domed ceilings and magnificent crystal chandeliers. The decorative gilt mouldings, sculpted marble columns, and fine fretwork screens reinforce the royalty connection,” says Joshi. Khwabgah, the Presidential suite, features art, artefacts and a bar hewed out of salvaged wooden balconies.

But the space that I find fascinating is the Awadhi restaurant, Frontier Mail, a sublime recreation of the famous train that ran from Colaba, in Mumbai, right up to Peshawar, which is now in Pakistan. It had one dining bogey. Joshi and team recreate the magic of those times when travelling in trains was an experience filled with beauty and magic. “We wanted actual wagons to host the restaurant. However, the structure would not have been able to take the load. So, the interiors team fabricated the Frontier Mail wagons,” says Col. Choudhary. “Kaarigars were invited from Saharanpur. Much of the crockery and cutlery are from the original Frontier Mail. The walls are peppered with photographs of the train, sourced from the National Museum of Railways,” according to Joshi.

Frontier Mail.

Those well-versed with Rajasthan will be able to draw some references with the lavish havelis of the Marwari businessmen in regions of Narwar and Shekhawati. “Between 1830 and 1930, well-heeled Marwaris built gigantic buildings, which carry the architecture of the Mughals in their style. The Shekhawati haveli consisted of two courtyards; the outer courtyard meant for men and an inner courtyard for women. Havelis also carry marvellous frescoes on each side, with a single main gate,” says Joshi. “The challenge lay in sourcing the right skilled craftsmen.”

If you do find yourself in this atmospheric modern-day palace within rural tranquility some-day, make sure you spend an evening out near the swimming pool. The views of the fields are marvellous and the hotel, with its sweeping chhatris and airy domes, makes for a striking backdrop to swim against. The setting sun leaves its imprint on a façade that looms large in the countryside.

Editor's Note: The previous version of this article erroneously mentioned Architect Nimesh Patel had conceptualised Noor Mahal, however it is architect Himet Singh, who did it. The article has been updated to reflect the correct information. The error is regretted.